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The Boy Is Beautiful @theboyisbeautiful
Queer Magazine of Mythical Proportions with a kink for history and beauty 🏺

Photography by @manos_wrld
When he arrived he wore nothing but a camera around his neck. He should have been in a museum with a face like that, but he had too much still to do and — as I was soon to learn — sitting around being looked at was something he was fond of avoiding these days. He travelled light, barely even a body was present. Instead, a vague stone shape with corners and edges which implied muscles and joints that may once have been. As rock and metal grows faded and the details are wiped away by years of caressing in the hope of the chosen hand absorbing some mythical good luck or arcane sexual prowess, so too can a body be lost after centuries of running — over by greedy eyes. The more that is seen, the less there is worth seeing. He knew this better than most. [...] Read Nathan Korn’s ‘A Greek Tragedy’, accompanied by the intimate photography of London-based photographer of fantasies @manos_wrld in our latest issue 🫦
Photography by @manos_wrld from Issue #4
The film is available to stream on Dailymotion by searching ΑΓΓΕΛΟΣ (1982)
Starring Michalis Maniatis and Dionysis Xanthos, the film received three awards at the Thessaloniki Film Festival and sold nearly 300.000 cinema tickets — a record-breaking number at the time.
Angelos is a film about a handsome young Athenian who attempts to escape his abusive alcoholic father and the grinding poverty of his daily life by falling in love with a macho sailor who promises him a better life.
Happy Halloween with this heartbreakingly-stunning erotic thriller from 1982 by Giorgos Katakouzinos based on a true Athenian queer love crime... ♥️🔪
John Thomas in Hydra 🌊
The Boy in Hydra by James Duhan
In celebration of the too hawt to handle cast we’ve been drooling over, here’s an excerpt from our second issue dedicated to the perpetual fetishisation of the uniform. Lace up... 

“01:00–03:00. The Graveyard shift (known in Greek as the ‘German shift’). He wakes me up with a delicate stroke on the ear — I wonder whether that's the way he strokes the girl on the other end of the line. “Get up, you’ve stood the other guy up for 10 minutes already.” I was up, but not in the way he wished. With loosened laces and a G3A3 on my shoulder I walk down the stairs and all the way to the gate. It’s now 02:00. Countersign. 03:00. Change of guard. On the bench outside the barracks, I take off my shoes and so does the guy who woke me. “Feeling dead;” he asks. “I'm fine” I whisper. “I was on the phone this whole time — she got me so fucking hard” Didn’t know what to say to that. “You going to leave me like this?” he asks. I didn't. Not that night, nor any other night until he got dismissed. Returning on the island to claim his civilian ID, he allowed himself one last night of anonymity before, along with his uniform, he gave up arms.”
BOOTS / ΜΠΟΤΕΣ Andy Parker’s new gag-worthy Netflix drama — BOOTS — stomps through bullying, male vulnerability, bromance, confinement and the unspoken sexual tension of shared spaces.
Boots 🥾💦🧻
Angus O'Brien
The Boy Is Beautiful screen-printed tattoos hit different 🫦
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Giorgos, our Greek Sign Language interpreter 🔥
Stavros & Dimitris
Ilias
The Boy Is Beautiful temporary screenprint tattoos via Tind 🫦🔥
I(c)onic behaviour at our Athenian launch 🫦🏺🪩
Athens, come sit on these 🫦 Thursday, 16 October, 8pm at Hyper Hypo 🏺
Athens Launch Party 🏺🪩 Hyper Hypo, Athens 16 October, 8pm
Florian Hetz
Athens Launch Party, 16 October, 8pm at Hyper Hypo 🫦🏺
Brett by Florian Hetz
October, Yannis Tsarouchis
Athens, we are in you 🫦🏺
Today is International Coffee Day... you know what to do 😏☕️🏺🗞️
We have teamed up with News & Coffee in Granary Square, London, and with each purchase of Issue #4 you can enjoy a beautiful coffee on the house ☕️🏺 Valid until Sunday 05 October

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