@zayd It has a strong premiseāa trans person in a violent environmentābut it doesnāt feel authentic. The film is directed by a French filmmaker with a shallow understanding of Latin America. It portrays violence as if it stems primarily from individual choices rather than the deep-rooted social and political issues that have persisted since European colonization.
In fact, authenticity doesnāt seem to be a priority at all. There are no truly Mexican actors in the main roles, and the movie was shot in Europe.
Aesthetically, it also lacks artistic care. The prisonās massive wall is painted a bright, spotless white, with giant black letters spelling āNational Prison.ā It looks freshly painted and artificial. Another example is the TV reporters chasing Emilia at her event as she walks away, as if she were a pop star rather than someone hosting an event and eager to speak to raise funds. Additionally, the way she is turned into a saint by the end feels forced and artificial. Compared to other films that carefully construct each scene with meticulous research, this one feels like a missed opportunity.
Besides that, itās a musical š .
While it has an interesting concept, it ultimately feels more like a stylized interpretation than a genuine portrayal.