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Andrii @toimoiaussi_
Soft gothic, hard techno and solid engineering Love music, art and science 183| bttm

Aka Philharmonie
My Experience With German Education So I just finished a 41-page lab report. Yes, forty-one pages. For one Strömungsmechanik lab. Not a thesis, not a research paper, not a plea for a PhD scholarship — just a regular assignment apparently? German universities are wild. They don’t want you to simply understand the experiment — they want a full scientific encyclopedia: calculations, diagrams, DIN formatting, uncertainty analysis, literature comparison, symbol directory, Kontrollfragen, and original raw data like you’re publishing groundbreaking work for the United Nations. Instructions? None. Templates? Absolutely not. Just the classic: “Hier ist die Aufgabe. Viel Erfolg.” Translation: Good luck, warrior. Try not to cry. The emotional journey is beautiful: start confident, slowly descend into madness, rewrite everything three times at 3 AM, question life choices, google “how to drop out,” then somehow finish. Now I’m exhausted, brain-dead, but still weirdly proud. Because if you survive German education — you survive anything. 💅💅💅
Style and music are structurally connected — whether it’s rap, punk, electronic, or anything born from rebellion. All these genres function as identity systems. In cultural theory, fashion is non-verbal communication; music is linguistic and sonic resistance. Before a single word or note hits, the visual language arrives first. Neuroscience proves we process appearance faster than meaning, so an outfit becomes the first message. That’s why artists like Omote or Yuki Chiba don’t just wear clothes — they construct a visual manifesto. Silhouette, proportion, texture, distortion: these are psychological tools, not decoration. Rap, punk, and experimental music all rewrite social order instead of obeying it. So let’s end this pathetic narrative that we should care what others think. Why let people with zero identity and zero cultural literacy decide what is “acceptable”? Their discomfort is just a fear response. Real style and real music say: I define myself. If that threatens them — good. That’s evolution.
Yakuza games
[Tashkent, Uzbekistan] Two cups, Martel pour a neat
{Random}.reset
[Technisches Museum, Berlin]
Cream soda Faygo, damn, I’m still dreamin’
Positions, Berlin [Art exhibition]
[No caption]
Sorry, but no nudes 🫵
Style isn’t decoration for me — it’s language. I dress to say what I don’t feel like explaining. Clothing is a way to build identity, not to chase approval. I’m drawn to pieces that feel like protection: jewelry that looks like a weapon, silhouettes with structure, textures that carry story. Soft and sharp at the same time. Romantic and brutal. Fashion is supposed to express who you are before you speak. Roland Barthes called clothing a system of meaning, and I believe that. Style is how you choose to be understood without performing. I’m not trying to impress. I’m trying to be honest. So tell me: Do you dress to express yourself, or to fit in?
Yes
2 protectors
Berlin coded
Riad
Berghain, Berlin
Berghain said yes
Paris, France
Leipzig, Germany
Berliners 🍩
SPFDJ w/ Salome 201022
Valetta, Malta
Warsaw

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